Vendanges.
George
Dessommes.Edited by Margaret E. Mahoney.
ISBN: 978-0-9793230-0-3. $15.98.
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Vendanges.
George Dessommes. Edited by Margaret
E. Mahoney.
From the vantage point of the 21st century it is easy to see how
the vast majority of nineteenth-century Louisiana poets followed
the path created by French writers from across the Atlantic. Romanticism,
Realism, symbolism, and all the other –ismes of the period
established deep roots within the poetical productions of Louisiana’s
francophone poets. Often, the result is a pale but worn reflection
of continental sophistication that fails to draw upon the vitality
of a nascent American culture. It may be true that Adrian Rouquette,
in his Savanes : Poésies américaines, describes the
vastness of the cypress forests and endless prairies of rippling
sawgrass, but he seems to echo Chateaubriand who never saw the Louisiana
wilderness. Unfortunately, Louisiana’s francophone poets considered
themselves French rather than Louisianian and this partially explains
why their writings today seem foreign to a Franco-American public.
Among these poets, only Camille Thierry dared to create a poetic
voice that was profoundly human, French, and American all at once—and
he lived in exile in Bordeaux! Born a generation after Thierry,
George Washington Dessommes was the last, but the greatest, of all
the Creole poets from New Orleans, and he gave voice to the distress
of the last Creoles as their culture was being engulfed by the waves
of Americanization championed by Reconstruction. Dessommes never
published a book of poetry: the texts gathered here, corrected and
brought forth by Margaret E. Mahoney, appeared in a variety of New
Orleans publications during the last quarter of the century. Thanks
to her careful work, Louisiana can discover and study for the first
time one of her best poetic voices.
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